DeepDiveCinema

The Archive

Explore the cinematic memory palace, curated by Cinema Sage

"Welcome to Row Lambda, darling cinephile, where every reel is a séance, and every frame holds a secret for those who linger. Listen closely… the archive remembers you." — Cinema Sage
Showing 4,036 films (Page 79 of 169)
My Cousin Vinny

My Cousin Vinny

0 • Runtime 2 hours
Dir: Director Jonathan Lynn
My Dinner with Andre

My Dinner with Andre

0 • Runtime 1 hour 50 minutes
Dir: Director Louis Malle
My Life as a Dog

My Life as a Dog

1985 • 1h 41m
Dir: Lasse Hallström
My Man Godfrey

My Man Godfrey

1936 • 1h 34m
Dir: Gregory La Cava
My Mom's a Werewolf

My Mom's a Werewolf

0 • Runtime 1 hour 30 minutes
Dir: Director Michael Fischa
My Outlaw Brother

My Outlaw Brother

1951 • 1h 22m
Dir: Elliott Nugent
My Own Private Idaho

My Own Private Idaho

1991
Dir: Gus Van Sant
My Stepmother Is an Alien

My Stepmother Is an Alien

1988
Dir: Richard Benjamin
My Tutor

My Tutor

1983 • 1h 37m
Dir: George Bowers
Mysterious Island

Mysterious Island

1961
Dir: Cy Endfield
Mystery Liner

Mystery Liner

1934 • 1h 2m
Dir: William Nigh
Mystery Men

Mystery Men

1999 • 2h 1m
Dir: Kinka Usher
Mystic Pizza

Mystic Pizza

1988
Dir: Donald Petrie
Mystic River

Mystic River

2003 • 2h 18m
Dir: Clint Eastwood
MythBusters

MythBusters

0 • TV-PG
Dir: Unknown Director
Mythos

Mythos

0
Dir: Unknown Director
Nabonga

Nabonga

1944 • 1h 15m
Dir: Sam Newfield
Naked Lunch

Naked Lunch

1991
Dir: David Cronenberg
Nancy Drew... Reporter

Nancy Drew... Reporter

1939 • 1h 8m
Dir: William Clemens
Napoleon Dynamite

Napoleon Dynamite

0 • Runtime 1 hour 36 minutes
Dir: Director Jared Hess
National Lampoon's Animal House

National Lampoon's Animal House

1978 • 1h 49m
Dir: John Landis
National Lampoon's Christmas Vacation

National Lampoon's Christmas Vacation

1989 • 1h 37m
Dir: Jeremiah S. Chechik
National Lampoon's European Vacation

National Lampoon's European Vacation

1985 • 1h 35m
Dir: Amy Heckerling
Natural Born Killers

Natural Born Killers

0 • Runtime 1 hour 59 minutes
Dir: Alternate versions The Director's Cut features roughly 4 minutes of material removed from the theatrical version prior to release in order to get a R rating. Here are details of the additional scenes, in chronological order: there are three additional shots in the pre-credits scene in the diner. The first is found when Mallory knocks Sonny (Richard Lineback) over the partition. In the theatrical cut, the scene immediately cuts to Sonny's friend (James Gammon) getting up out of his chair to intervene. But in the Director's Cut however, there is an additional shot of Mallory slamming Sonny's head into a table, and blood spraying across the surface of the table. Next, when Mickey slits Sonny's friend's stomach, there are three additional slashes not found in the theatrical cut. Lastly, as Mallory jumps up and down on Sonny's back, there is an additional shot of her grabbing his blood soaked head and pounding it into the ground; the death of Ed Wilson (Rodney Dangerfield) has one additional shot as Wilson is leaning up against the wall prior to being dunked into the fish-tank, and Mickey hits him with the tire-iron across the back of the head; as Mallory drives to the garage after arguing with Mickey about the hostage (Corinna Laszlo), there is a brief shot of Mickey raping the hostage in the motel room; Jack Scagnetti's (Tom Sizemore) murder of Pinky (Lorraine Farris) contains an additional shot of Scagnetti with his hands around her throat and her struggling underneath him, whilst he keeps on saying to her, "I'm only kidding, I'm only kidding"; when Mickey kills the pharmacist (Glen Chin) at DrugZone, there are two additional shots; one showing the pharmacist's blood spraying onto the glass divide, the other showing the clerk falling to his knees and dying; the scene where the police beat up Mallory outside the pharmacist contains a few extra shots of policemen punching her; as Mickey attempts to kill the guards in the cell after the interview has been terminated, there are several additional shots showing members of Wayne Gale's (Robert Downey Jr.) crew being shot and killed; after Mickey has taken control of the TV crew, he 'persuades' Kavanaugh (Pruitt Taylor Vince) to come with them by breaking his fingers; the prison riot sequences contain numerous additional shots. Four particularly obvious ones are: a guard is shoved into a washing machine, which is then turned on; a guard has his head pushed in under a steam press; a guard is thrown into an industrial oven; a guard is flung from the top story of the prison; the scene where Scagnetti sprays mace in Mallory's eyes is longer, with a more sustained spraying, whilst the guards hit her; a tracking shot in a barber's during the riot show inmates slitting the throats of other inmates; during the riot, the scene where the prisoner throws a stick of dynamite into a door way is extended; after the dynamite has been thrown, there is a shot of the explosion and a prisoner being flung from the room and rebounding off the wall; in the scene where Mickey rescues Mallory from Jack Scagnetti, there are additional shots of the bullets hitting the guards; there are more shots of Jack Scagnetti trashing about on the ground after being stabbed, prior to being shot; when Mallory holds the gun to Scagnetti's head and asks him if he still wants her, in the theatrical version, she pulls the trigger immediately. In the Director's Cut, there is a shot of Scagnetti screaming; as Mickey, Mallory, and the others flee Mallory's cell, they are ambushed, and Wayne Gale's crew is wiped out. In the theatrical version, little is seen of this, but in the Director's Cut, there are clear shots of his crew being gunned down, especially Julie (Terrylene), who is killed in slow motion; during the standoff at the stairs, Dwight McClusky (Tommy Lee Jones) orders the guards to open fire at Mickey because Kavanaugh (Pruitt Taylor Vince), who Mickey is using as a shield, is already dead. In the theatrical version, when McClusky gives the order to fire, there is an awkward cut to Mallory holding Wayne Gale, and the guards never fire. In the Director's Cut, the guards open fire, riddling Kavanaugh's (still living) body with bullets. after Mallory shoots Wayne Gale's hand, there is a brief shot through the hole created by the bullet, looking down at McClusky; McClusky's death is far more explicit. After being dragged down from the gate by the inmates, in the theatrical version, we never see him again, but in the Director's Cut, after a moment, a prisoner raises a spear, with McClusky's severed head perched on top; Wayne Gale's death scene is longer and includes more shots of the bullets hitting him; numerous additional shots of the subliminal demons are scattered throughout the film.